It reached the top five in the UK, and also appeared on the soundtrack to The Magic Christian film, starring Ringo Starr.īadfinger's links with The Beatles lasted well into the 70s. The following year they signed to The Beatles' Apple label, and their first single was Come And Get It, a bitter song about Apple's finances written by Paul McCartney. An LP containing both singles and titled Maybe Tomorrow was released only in Italy, Germany and Japan. The chart success of "Maybe Tomorrow" in Europe and Japan led to a follow-up single release in those markets in July 1969: Griffiths' "Dear Angie", also produced by Visconti. A second Tom Evans composition, "Storm in a Teacup", was included on an Apple EP promoting Wall's Ice Cream, along with songs by Apple artists such as James Taylor, Mary Hopkin and Jackie Lomax. the ability to go out and pick up people, and convince them to put their money on the counter". Nevertheless, Mansfield remembered the problems: "We had a great group. The US manager of Apple Records, Ken Mansfield, ordered 400,000 copies of the single-considered to be a bold move at the time in the music business-and pushed for automatic airplay and reviews from newspapers, which he secured. It reached the Top Ten in several European countries and Japan, but only number 67 on the US Billboard Hot 100, and failed to chart in the UK. The group's first single, "Maybe Tomorrow", produced by Visconti, was released worldwide on 15 November 1968. The Iveys' early sessions for Apple were produced by either Tony Visconti or Evans. ![]() ![]() Each of The Iveys' members were also signed to Apple Corps' publishing contracts. Mal Evans' support ultimately led to their signing with Apple on 23 July 1968 – the first non-Beatle recording artists on the label. The demos were accomplished using a mono "sound-on-sound" tape recorder: two individual tracks bouncing each overdub on top of the last. Afterward, Evans consistently pushed their demo tapes to every Beatle until he gained approval from all four to sign the group. After receiving an invitation from Collins, Beatles' roadie/assistant Mal Evans and Apple Records' A&R head Peter Asher saw them perform at the Marquee Club, London, on 25 January 1968.
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